It is chaotically too loud and compressed to hell and back. The self-titled album was a victim of the loudness war. It was a method of sound production they had not done before and it sounds stable for the most part. Still a great album though.īinaural was just what it was intended to be. Riot Act could be used as a bit of an example of the audio wars regarding loudness and mixing techniques. You can tell that they wanted to just maintain a consistent line of sound among all of the tracks. The greatest hits compilation was just pure audio amplification. ![]() Much of that made it's way to the mixes and production as well. NO Code was up and down in audio integrity for me but it was that album where they tried new things and moved instrumentally towards a new sound. ![]() ![]() I do get that there should be standards in quality though. If it did then I would be a disgruntled audio reviewer like most audiophile in the industry. I have the ears of an audiophile and notice all of the nuances and breaches in sound but I have also learned not to allow that to guide my listening pleasure.
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